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“To pay attention, this is our endless and proper work.”

MARY OLIVER

Skirmishing Words

The blog of Lynn G. Carlson

These blog posts are me paying attention – to life, to writing, to whatever topic waggles at me. You’ll find that as a rule I’m irreverently respectful and am constantly digging into language crannies, looking for inspiration.

 

I’m always glad to hear from you, too. As you pay attention to our glorious, goofy, comedy-stacked-on-tragedy-layered-with-boredom lives.


Keep in mind, I’m more Carhartt than Cartier, so don’t expect anything too polished. But I promise not to posture and to do my best to stay authentic. You should call me on it if I get too big for my britches.

Wise old baobab trees surrounding MPessoba
Wise old baobab trees surrounding MPessoba

In this world in which the tentacles of the internet are wrapped all around us and algorithms rule, we tend to find friendship in ever-tightening circles. I know somebody who claims with pride that all of her Facebook friends are of the same political persuasion.


Hmmm… I wonder about that. About the origins of connection, the necessity of alignment, and just how much we can really manage something as mysterious as friendship.


 

During Pre-Service Training in Mali, West Africa, I was eager to learn how to be an outstanding Peace Corps Volunteer. I wanted to do things the right way when I reached my assigned village after three months of training.


I learned how to construct the foyer amélioré (improved woodstove) from clay. I was schooled in Community Development, also known as “how to make an impact in a foreign culture without imposing your values on the locals.” I made a feeble start at learning Bambara, a West African dialect, and French.


Shortly before we were to leave the training site and head out to our villages, seasoned volunteers converged on us to share their wisdom.


I sat on a grass mat under a tin-roofed veranda with forty-one other trainees. We swatted flies and sipped from plastic canteens filled with chlorine-spiked water. One guy, a second year PCV in tie-dye pants and tee shirt, addressed us. I was all ears.


“Just remember this—you should make friends with the paysanne (peasants), so you can learn about your village. Don’t hang out with the fonctionnaires (government employees). They aren’t from the village—they’re from other parts of Mali and from a different social class. Your goal is to learn about your village and you can’t learn what you need to know from them.”


A female PCV, her light-brown hair fixed in Malian-style corn rows, added, “And you women, especially in the Woodstove program, should definitely hang out with the paysanne women, to be able to recruit them to accept the foyer amélioré.”


Peace Corps Mali trainees, trainers, and language professors, 1983
Peace Corps Mali trainees, trainers, and language professors, 1983

I arrived at my assigned village of MPessoba, population 1,500, a few weeks later. My body lurched between diarrhea and constipation, and my emotions lurched between homesickness and fascination at this village with its mud-brick houses surrounded by fields of millet and cotton. My language lurched from English in my head to Bambara on my tongue and French on paper. Even with all the lurching I was determined to start integration into village life right away.


I set out to find my target friends.


I focused in on Mamani, the second wife of Mamadou Daffe, my Bambara language teacher. Of Daffe’s three wives she seemed the most approachable, and I figured she was close to my age (27 at the time). I would make Mamani my friend and learn about village life from her.


Each morning for a week I visited the Daffe compound, announcing I was there to visit Mamani. Each day one of the children would fetch me a stool to sit on and a cup of water to drink. Mamani, with an infant strapped to her back, would stop to exchange greetings with me. I k’a kene wa?—How is your health? I somogow k’a kene wa?—How is your family’s health? Then she would be off, to gather firewood, to pound millet, to go to the market, to work in the fields. I would sit on my stool, surrounded by chickens and children, until it was obvious that I might as well go home.


Friendship efforts with Mamani aborted, I discussed the issue as best I could with Amadou Coulibaly, my landlord. He must have said something to somebody because the next day a group of npogotigi arrived at my concrete-block house on the edge of the village.


Npogotigi is the Bambara word for an unmarried woman. It translates as “hymen owner.” Although I hadn’t owned a hymen for a while, the fact that I was unmarried put me in the same social stratum as these 13 to 15 year old girls.


I invited the girls into my house where they rifled through my clothes and giggled at my attempts to converse in Bambara. When they left, obviously bored, I had to pry a bra from the hands of their leader.


The friend thing was obviously more complicated than I'd anticipated, but thankfully there was still the stove-building work to do. Plus I had my protocol list.


Protocol is big in Mali, I’d learned in training. You must visit the local dignitaries and pay your respects, definitely when you first arrive in the village and preferably every time you come back from a trip.


Top of my protocol list was the biggest of the local bigwigs—Monsieur Cissé, Commandant de Cercle. Kind of like the head of the county government. When I arrived at the Cissé compound, I parked my Peace Corps-issued Peuguot moped, then walked through the adobe-walled entrance. I clapped my hands, and announced myself with the standard greeting. Assalaamu ‘Aleykum—"Peace be on you."


A young woman who was shelling peanuts returned the greeting. Wa alaykumu s-salam—"Peace be on you also." When I asked for Cissé, she said he was out of town. She introduced herself as Djenaboo and led me to a corner of the compound. There, shaded by an acacia tree, was a corpulent woman stretched out on her side on a grass mat. A fleshy arm supported her head. She sat up long enough to shake my hand and exchange greetings. Her name was Aisha.


I gave her the speech in Bambara that I had practiced during training for use in introductions. I used my Malian name—Tene Keita—since my real name was unpronounceable to the Malians. Serving with the Peace Corps. From Wyoming, USA. In MPessoba to teach people how to build improved woodstoves. Looking forward to working with the people of Mali.


Aisha listened intently, then turned to Djenaboo, who translated what I’d said into an unfamiliar-to-me language. Djenaboo explained to me, in Bambara, that they were members of the Soninké tribe and had arrived in MPessoba only last month.


Aisha be Bamanakan kalan, dooni—"Aisha is learning to speak Bambara, slowly," Djenaboo said.


Great. No common language. This was going to be fun.


Aisha spoke in Soninké to a young boy and a chair appeared. In Bambara she said, I sigi—“You sit.”

Aisha smiled, displaying black-tattooed gums. I smiled back. She spoke, gesturing toward my moped, but I couldn’t catch what she was saying. N m’a famu—“I don’t understand,” I said.

I y’a famu—“You DO understand,” Aisha said.


She handed the boy some coins. We sat in silence, watching two children play with cars made of tin cans. The boy returned with grilled goat’s meat, wrapped in a square of greasy brown paper. Aisha spread the paper out on the mat and pointed at the meat. Duminike—“Eat.”


Two days later I was bargaining for tomatoes at the market when Djenaboo tugged on my sleeve and told me I should come visit that afternoon. I asked if Cissé was back from his trip. No, he wasn’t. It was Aisha who was summoning me.


And so began my monosyllabic friendship with the biggest fonctionnaire family in the village. My PCV mentors would have slapped me upside the head if they’d found out.




Aisha, Djenaboo, and toddler
Aisha, Djenaboo, and toddler

I visited the Cissé compound a couple times a week. Aisha and I sat in the shade, sometimes for hours. We talked, but sparingly. I listened to the acacia leaves rattle in the hot breeze like strips of dried newspaper. We played with the children and Aisha delivered orders, usually from a prone position. I often stayed until the muezzin called the faithful to afternoon prayer.


I did finally meet the man of the house, Amadu Cissé, when he returned from an extended trip to Kaye. A tall man, he strode around the compound and harangued his family in Soninké and delivered speeches in Bambara or French to visitors. He expressed his pleasure at having an American visit his family so often.


Our Bambara improved over time and soon Aisha was giving me lots of advice. She waggled a finger at me and told me to quit holding hands with the village children because they would give me pinkeye. On how to avoid heat rash, she said to wear loose clothing and take a bucket bath twice a day. I shouldn’t eat too many mangoes. They would give me sores on my mouth. She insisted I was showing too much ankle for a woman of my age and ordered Djenaboo to give me a lesson in the proper way to tie a pagne—the large squares of cloth that served as skirts.


If Aisha didn’t know the word in Bambara she’d just throw in Soninké. When I said I didn’t understand she always laughed and insisted, I y’a famu, Tene!


On Malian Independence Day, September 22nd, I joined the villagers at the schoolyard for the festivities celebrating Mali’s liberation from French rule in 1960. I knew Aisha would be making one of her rare appearances outside the family compound. Cissé and Aisha sat in chairs in front of the crowd. Each was dressed in a glowing white brocade gran boubou—a flowing robe embellished with elaborate gold embroidery. Aisha had an elegantly tied white scarf on her head.


Cissé rose and spoke in Bambara about the glory of Mali. He reminded everyone of the significance of the colors in the Malian flag: green for hope; yellow for the plentiful gold that came from Mali’s earth; red for the blood sacrificed during the struggle against colonization. He finished by offering benedictions for peace and prosperity to all.


The villagers filed past, offering greetings to the impressive couple. I hung back in the crowd, suddenly shy. My friend was in her role as the grand wife of a high-ranking man. How should I greet her—like an old friend, or like a subservient villager?


I also worried that if I received a warm greeting from Aisha and Cissé I would be seen by the villagers as one of them—one of the fonctionnaires.


So I didn’t go to greet them at all. I stayed away from the Cissé compound for a week, wondering if my cowardice would be viewed as betrayal. When I finally dragged my way back to Aisha, nothing seemed to have changed. She was eager to gossip about the big celebration.


The village gathers for Malian Independence Day, celebrating the country's liberation in 1960 from French colonial rule
The village gathers for Malian Independence Day, celebrating the country's liberation in 1960 from French colonial rule

One day Cissé approached and said he wanted to show me his new purchase: two head of cattle. He led me to a shed outside of the compound where two boney-hipped cows chewed on millet stalks. Cissé slipped his arm around my waist and pressed me into the wall. I pushed him away and delivered a speech I had used often with Malian men who assumed because I hadn’t received the rite of clitoridectomy I was surely dying to have sex with them: It is against my religion to have relations with a married man.


I hustled back to Aisha's side, wondering if she knew what had just happened. I tried to cover my nervousness by telling her about a recent trip to Sikasso to celebrate Thanksgiving with my fellow PCVs. Aisha listened quietly. She offered me some shea butter lotion and we spread it on our arms and ankles. When Cissé walked past us and disappeared into the latrine, I detected the curve of a smile on Aisha’s lips.


One time I returned from a trip to find Aisha with an infant boy at her breast. I hadn’t even known she was pregnant. Not that surprising, given that it's taboo in Mali to discuss pregnancies—considered bad luck—and women dress in loose robes. Allah k’a dahirime nogoya, I said—“May God make it easy to provide him with food.” Amina, Aisha answered—“Amen.”


She had dark circles under her eyes. I sat with her a long time, even while she napped. When I got up to go home, Aisha stopped me. She sent Djenaboo on an errand and then asked me if it was true what she had been told—that in America there is a pill that would keep women from having babies. I said yes, there is such a thing. Aisha gazed at the mango-hued sunset for a time, then said, O ka nyi. “That’s good.”


We never spoke of it again.


When my two year tour of service was over, I extended for a third year and moved to Bamako, Mali's capital city. Every couple of months I returned to MPessoba, always stopping by the Cissé compound. Aisha would sit up and yell Tene nana—“Tene has come!” She'd pump me for news from the city and ask questions about my job at the Solar Energy Laboratory. When it was time for me to go, she would say, K’an bu fo—“Greet the people” and I would reply, U n’a men—“They will hear it.”


Me, munching on the crispy rice from the edges of the pot--a favorite snack!
Me, munching on the crispy rice from the edges of the pot--a favorite snack!

I was medivacced to Washington D.C. a month before my close-of-service date due to a punctured ear drum. My quick departure meant I could not get back to MPessoba. I sent a letter, written in French, by taxi to Aisha, apologizing for not saying a proper goodbye. I thanked her for her friendship and expressed the hope that we would meet again one day, Inshallah—“God willing.” I imagined Cissé reading the letter to Aisha under the acacia tree.


I never saw Aisha again. I don’t know if she is still alive.


Yet our odd connection remains with me, because in spite of the fact that our thoughts formed in different languages and we were from different continents, ethnicities, and religions, we were friends. Something melded during those hours under the acacia.


Maybe we were two puzzle pieces that fit—I needed a friend and Aisha wanted a glimpse of the world beyond her family compound. Maybe the fact that we were both female and outsiders in the village was enough to cause the click.


I believe that friendship may be more alchemy than algorithm. My friendship with Aisha taught me to always make the effort to look beyond. Beyond agenda and similarity. Beyond matching interests.


When I think of Aisha I see white teeth in a flashing smile. I smell shea butter and ripe mango. I hear the sucking of a baby at Aisha’s breast. And I hear her say, once again, I y’a famu, Tene—“You DO understand.”

 

 

 

There are approximately 50.2 million adults in America who are in recovery from substance use/and or mental health problems.


Recovery is real!


Definitely something to celebrate.


And that’s exactly what we’re doing in September, which is National Recovery Month. At this time we honor the achievement of individuals in recovery from substance use disorders and mental health conditions.


Speaking of which, my sister, Laura Griffith, founder and former Executive Director of Recover Wyoming, just celebrated her 22nd sobriety birthday and you can bet we celebrated that.

With cake!


September is also the month we honor the variety of tools people use to aid them in their recovery journey.


Today, I want to talk about how writing is one of those tools.


Writing is not a way of escaping reality. It is a way of engaging with it more completely. Ursula K. LeGuin


One of the great things about writing is how little the upfront investment is: you can start with a pen/pencil and a piece of paper and off you go.


You can write with others or you can write alone.



WRITE TOGETHER


Writing can be like folding a banquet-sized tablecloth;

you can do it yourself, but it’s a lot easier when you can find somebody to help.


Ted Kooser and Steve Cox, Writing Brave and Free: Encouraging Words for People Who Want to Start Writing


For five years I led the In Our Own Words writing group at a treatment center for women in Pine Bluffs, Wyoming. It’s something I wrote about in a short essay that was published in the This I Believe archives. You can read it here.


The women in the Pine Bluffs group shared and grew through writing, as did I, because I wrote and shared along with them. I learned so much, especially about the magic of putting thoughts and feelings on paper, and then hearing yourself speak the words out loud. It’s transformative.


Through a friend, writer Michelle Nicolaysen (who blogs at Vegetarian Ranchwife) I recently learned about another type of writing group: Recovery Writers.


I’ll let the creator and leader, Christine Beck, tell you all about it.

 

Recovery Writers began about eight years ago at my kitchen table when I invited some friends from Alcoholics Anonymous (AA), Adult Children of Alcoholics (ACA), and Overeaters Anonymous (OA) to join me in short writing exercises. I used poems that I had written as a prompt. We wrote in silence for 20 minutes and then read what we had written.


I soon realized that no matter what 12 step program the writers were in, they all shared certain characteristics and found healing in recovery through both writing and sharing. This was the genesis for a formal meeting, which I created as an ACA meeting three years ago. We organized the meeting using ACA readings at the beginning and end, but otherwise we use the same format: listen to a poem, receive a couple of ideas for writing, write for 20 minutes in silence, and then share in breakout rooms on Zoom (three writers in each room).


There are about 30 writers who come every Friday morning at 11 AM to Recovery Writers. The group also spawned other Recovery Writer groups.


After our Friday meeting, people have an opportunity to share about the experience of writing and sharing. Last week, a man said that he had spoken in his breakout room of something that he had not told anyone for 30 years. We also hear people tell stories of childhood sexual abuse and other extremely personal topics without fear of judgment. Again and again people share in the meeting that they feel totally safe and totally heard.


One of the reasons for this is that this is not a typical workshop or critique group. In responding to each other’s work,  we call the “voice of the inner loving parent.” This means we say things such as “You have been heard,” and “I see recovery in your piece,” and “I relate to the part about XYZ,” or “I notice you repeated a line that I found very compelling.” Our goal is to affirm the writer and relate. We do not give advice.


We tell writers what they wished to hear in childhood, which is that they are perfect just as they are and that they have been heard and we want to hear from them every week. I am astonished to hear people say how meaningful this meeting is in their lives.


Recovery Writers has helped me stay connected to my recovery community, which is always important. After a certain number of years of recovery, it is so easy to become complacent and think “I’ve got this.” But hearing people share reminds me that I am for many of them, the only voice of the inner loving parent that they are able to hear today and that is a benefit to me because I get to practice a voice that I can then use in my life outside the rooms.


Many of the writers have posted their work on the Adult Children of Alcoholics website in the Comline blog. You can read some of them here.



Thanks to Christine for sharing this example of writing with others. The Recovery Writers group is a simple concept, but so, so powerful and inspiring. Service in action. I have a ton of respect for Christine and others who use their lived experience to help people find and maintain their recovery!


Christine gave me permission to share one of the poems she uses to spark writing in the groups, along with a brief discussion of how she sees it pertaining to recovery.


Musical Chairs


When I was five, when I had

one pink party dress, one pair

of white socks with eyelet trim,

when life seemed filled with not enough.

 

A party game that seemed designed

by monsters or an evil witch.

Peppy music played, I skipped around

a row of chairs, anticipating cake

and goody bags.

 

As soon as I was lulled into my role

in this fairy tale, as soon as I heard

Disneyworld, or beach vacation, or

Good Job, Sweetie. You’re the best--.

 

The music stopped.  Stunned.

Pause. And in that pause, the other

clever children, grabbed a chair,

nudged me over, sat down quick.

 

I stood.  They stared. 

Some kindly grownup took my

hand and leaned me up against the wall.

Where I’m still standing, in the land

of not enough to go around.

 

Connection to Recovery:


The game of Musical Chairs connects to childhood vigilance, watching everybody carefully to be sure I didn’t get left out.  It also relates to my belief that there was not enough of anything (food, love, affirmation) to go around. Being left standing up when all the other children were sitting down contributed to my sense of shame, of everybody looking at me as a failure. The voice that lulled me like the music was what I longed to hear, but didn’t. Yet in the “turn” at the end, a kindly grownup appears to take my hand and lead me to safety at the wall.


If you want to know more…


 

Christine has put her recovery story, along with poems and prompts into a book, “Beneath the Steps: A Guide for Writers in 12 Step Recovery.”
Christine has put her recovery story, along with poems and prompts into a book, “Beneath the Steps: A Guide for Writers in 12 Step Recovery.”

WRITE ALONE


If you want to supplement the writing you do with others, or aren’t ready to join a writing group yet, can I suggest journaling?


This is a safe place.

No one can enter but you.

Listen to yourself.

Write your way home.

Heidi Sander

 

Journaling is another great tool for people in or seeking recovery, or just for human beings in general. I’ve been doing it every morning for about 18 years now, and it’s not only the foundation of my creative writing, I will go so far as to call it my spiritual practice.


It’s my daily check in with my mind and spirit, and I make discoveries all the time.


As a practice, journaling couldn’t be simpler. You don’t need a fancy leatherbound journal. A 39 cent notebook from Walmart will work just fine. I like to collage the front of mine, for fun.



No special skills needed. Just write down the date and go. Morning, noon, or night—whatever works for your schedule.


Note: this is not a diary to track your activities or an excuse to rant (well, maybe a little bit of ranting, but not too much). This is you, putting into words all that is on your heart and mind, and remember: nobody is checking spelling or grammar.


The internet is full of information and ideas for journaling. Here’s a discussion of its use in recovery.


So how about it? Let's write away: together, or alone, or both.


Happy National Recovery Month!




reflection of walkers along the Canal du Midi

The day before we were to leave Agen, France, Sébastien asked, “Is there something else you’d like to see before you leave?”


We’d already covered a lot of South-of-France territory—Bordeaux, Toulouse, and the medieval villages of Issigeac, Nerac, Pujol, and Monflaquin. We’d toured the Chateau de Bonaguil, and wandered the streets of Agen with its half-timbered buildings and lively street life. We'd cheered on the local team at a rugby match. Ici c'est Armandie!


I didn’t hesitate for a second in my response to his question. “I want to go back to the Pont Canal.”






The Pont Canal, a.k.a. Agen Aquaduct

The Pont Canal is a bridge that spans the Garonne River and is part of the Canal du Midi, one of the oldest canals still operational in Europe. There is a lock and canal basin both upstream and down from the Pont Canal.

Pont Canal in Agen, France
A corner view of the Pont Canal/Agen Aqueduct, before it crosses the Garonne River.

First, a little history about the Canal du Midi:


The origin of the canal involved a dream – to connect the Mediterranean Sea and the Atlantic Ocean. Why? To enable transport of goods from Bordeaux, on the Atlantic, to Mediterranean ports and to circumvent the Iberian Peninsula, which was a long, stormy, and dangerous route.


Those darn pirates!


The dreamer was a man by the name of Pierre-Paul Riquet. He wasn't an engineer, but he had an idea about how to meet the challenge that had prevented the building of such a canal--how to ensure there would be enough water flowing through it year round. His idea was to get water flowing from the Montagne Noire (Black Mountain), a range in south central France. He proposed an innovative irrigation system to ensure that the canal would always have water.


The Canal du Midi project started in 1666, during the reign of Louis XIV, and took around 14 years to complete. At any given time there were between 2,000 and 12,000 people working on the canal, using only shovels and pickaxes. Workers included as many women as men 😊. The canal project incorporated major innovations in hydraulic and structural engineering and has the reputation of being one of the greatest construction works of the 17th century.


Unfortunately, Riquet did not live to see the finished canal—he died in Toulouse, seven months before it opened.  


After completion, the Canal du Midi transported goods (including mail, woolen cloth, silk, salt, wheat and wine) and passengers. The boats were pulled by horses on the towpaths that lined the canal. Trade brought wealth to the communities along the canal’s route and many palatial homes were built during that time. In 1787 Thomas Jefferson took a trip down the canal and studied its construction, hoping one day that a similar canal could link the Potomac to Lake Erie.

In 1996 the Canal du Midi was declared an UNESCO World Heritage Site due to its innovative engineering and artistic design.

The Pont Canal/Agen Aqueduct came along later with the first stone being laid in 1839. It solved the problem of getting the canal across the Garonne River. The aqueduct is a dressed stone masonry structure consisting of 23 arches, and at the time of its completion was the longest navigable aqueduct in France.



poster of the Pont Canal in Agen, France
When Ingrid and Sébastien visited us in the U.S. a few years ago (for Cheyenne Frontier Days), they gifted us this poster of Le Pont Canal.

But here's the thing I find fascinating: Riquet and the canal-builders did not simply build the canal for utility. They also created it for beauty. Many of the locks, for example, were built in a lovely oval shape. It's a design taken from Roman times and derives from the knowledge that an arch shape can withstand pressure from surrounding soil better than a straight wall.


To reduce evaporation and stabilize the canal bank, trees were planted—plane, poplar, ash, cypress, pine—resulting in a unique, shady, and trés jolie landscape.



reflection of trees in the Canal du Midi

The trees that line the Canal du Midi, and their reflections, are mesmerizing.


Then it happened. Progress.


First, the railroad, then the automobile. With the arrival of rail transport in the late 19th century and then motorways, the Canal du Midi’s role in moving goods declined and then halted. The last commercial barges floated the canal in 1970.

Unforeseen consequences, unpredicted results

The canal lives on in different ways and is today a treasure of a different kind. Plants and animals thrive in its tree-shaded route. Pleasure boats have replaced the transport barges. Walkers, joggers, and cyclists make use of the former towpaths. The fine people of Agen stroll along the paths, stopping to greet each other.


Could Riquet have foreseen the evolution of his canal?


A group of New Zealanders, with their rental boat, traverse the Canal du Midi near the Pont Canal. With their bikes on board they are ready to enjoy cycling along the former tow paths. Here, the lock is raising their boat to the next level.
A group of New Zealanders, with their rental boat, traverse the Canal du Midi near the Pont Canal. With their bikes on board they are ready to enjoy cycling along the former tow paths. Here, the lock is raising their boat to the next level.

I'm reminded of a quote by Buckminster Fuller, the American architect, writer, and futurist, that says,


"When I am working on a problem I never think about beauty. I only think about how to solve the problem. But when I have finished, if the solution is not beautiful, I know it is wrong."

How lucky that Riquet and others involved in building the Pont Canal and Canal du Midi found a solution to their transport problem and made it beautiful. They show us that engineering and art can collaborate, and that even as the canal's purpose changed over time, the beautiful solution remains.

Many of the furry inhabitants of Agen enjoy walks along the canal.
Many of the furry inhabitants of Agen enjoy walks along the canal.

Sébastien and Ingrid graciously returned us to the Pont Canal on an exquisite fall day and as I soaked it all in I thought about how one of the great pleasures of travel and learning about the history of a place is the reminder that what we are experiencing in the present moment is a mere snapshot in the grand histoire of our fascinating world.


We can't foresee it all, and can't predict the future. We can only create, make it as beautiful as we're able, and trust the rest to time.



Our hosts demonstrate the art of the saunter, South-of-France style.
Our hosts demonstrate the art of the saunter, South-of-France style.

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